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Patterns in nature are visible regularities of form found in the natural world. These patterns recur in different contexts and can sometimes be modelled mathematically . Natural patterns include symmetries , trees , spirals , meanders , waves , foams , tessellations , cracks and stripes. [ 1 ]
A motif may be repeated in a pattern or design, often many times, or may just occur once in a work. [ 1 ] A motif may be an element in the iconography of a particular subject or type of subject that is seen in other works, or may form the main subject, as the Master of Animals motif in ancient art typically does.
The honeycomb is a well-known example of tessellation in nature with its hexagonal cells. [82] In botany, the term "tessellate" describes a checkered pattern, for example on a flower petal, tree bark, or fruit. Flowers including the fritillary, [83] and some species of Colchicum, are characteristically tessellate. [84]
A pattern is a regularity in the world, in human-made design, [1] or in abstract ideas. As such, the elements of a pattern repeat in a predictable manner. A geometric pattern is a kind of pattern formed of geometric shapes and typically repeated like a wallpaper design. Any of the senses may directly observe patterns.
The litema patterns are characterised by a multi-stage symmetry. Patterns are generally arranged in square cells. A wall to be shaped is divided into a grid to form the cells. Each cell is applied with the same pattern, which is usually rotated or mirrored from cell to cell.
Patterned ground is the distinct and often symmetrical natural pattern of geometric shapes formed by the deformation of ground material in periglacial regions. It is typically found in remote regions of the Arctic , Antarctica , and the Outback in Australia , but is also found anywhere that freezing and thawing of soil alternate; patterned ...
An alpana is usually created on flooring, generally directly on the ground. On this, a wet white pigment made of rice flour and water (or in some places, chalk powder and water) is used to outline the alpana, with the paint being applied by the artist's finger tips, a small twig, or a piece of cotton thread that is soaked in the dye, or fabric. [3]
Presently, the effect of the influence of nature is less obvious: instead of designed objects looking exactly like the natural form, they use only slight characteristics to remind us of nature. Victor Papanek (1923–1999) was one of the first American industrial designers to use biomorphic analysis in his design assignments.