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In music theory, counterpoint is the relationship of two or more simultaneous musical lines (also called voices) that are harmonically interdependent yet independent in rhythm and melodic contour. [1] The term originates from the Latin punctus contra punctum meaning "point against point", i.e. "note against note".
By a "grammatical" sentence Chomsky means a sentence that is intuitively "acceptable to a native speaker". [9] It is a sentence pronounced with a "normal sentence intonation". It is also "recall[ed] much more quickly" and "learn[ed] much more easily". [61] Chomsky then analyzes further about the basis of "grammaticality."
In linguistics, syntax (/ ˈ s ɪ n t æ k s / SIN-taks) [1] [2] is the study of how words and morphemes combine to form larger units such as phrases and sentences.Central concerns of syntax include word order, grammatical relations, hierarchical sentence structure (constituency), [3] agreement, the nature of crosslinguistic variation, and the relationship between form and meaning ().
In music, a canon is a contrapuntal (counterpoint-based) compositional technique that employs a melody with one or more imitations of the melody played after a given duration (e.g., quarter rest, one measure, etc.).
Adianoeta – a phrase carrying two meanings: an obvious meaning and a second, more subtle and ingenious one (more commonly known as double entendre). Alliteration – the use of a series of two or more words beginning with the same letter. Amphiboly – a sentence that may be interpreted in more than one way due to ambiguous structure.
A major sentence is a regular sentence; it has a subject and a predicate, e.g. "I have a ball." In this sentence, one can change the persons, e.g. "We have a ball." However, a minor sentence is an irregular type of sentence that does not contain a main clause, e.g. "Mary!", "Precisely so.", "Next Tuesday evening after it gets dark."
About Counterpoint: Today’s political and social climate may be more fragmented than ever. Hear from the experts as they explore different sides of some of the most contentious debates going on ...
Before the emergence of the X-bar theory, thus in the period between Chomsky (1957) [4] and Jackendoff (1977), [5] syntactic structures were represented based on phrase structure rules (PSR). The man studies linguistics enthusiastically. This sentence involves the following five PSRs: S → NP VP; NP → Det N (the man) NP → N (linguistics)