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2. John Jelliff - Wikipedia

   en.wikipedia.org/wiki/John_Jelliff

   One of the best-known undertakings of Jelliff & Miller is a parlor suite from the 1870s, consisting of a sofa, armchair and four side chairs, now in the Ballentine House, which adjoins the Newark Museum. Jelliff's crowning achievement in carved furniture is the bishop's throne, dating to about 1850, in Newark's St. Patrick's Roman Catholic ...

3. Robert Thompson (designer) - Wikipedia

   en.wikipedia.org/wiki/Robert_Thompson_(designer)

   Robert "Mouseman" Thompson (7 May 1876 – 8 December 1955), also known as ' Mousey ' Thompson, [1] was a British furniture maker. He was born and lived in Kilburn, Yorkshire, England, where he set up a business manufacturing oak furniture, which featured a carved mouse on almost every piece.

4. American Empire style - Wikipedia

   en.wikipedia.org/wiki/American_Empire_style

   Other major furniture centers renowned for regional interpretations of the American Empire style were Boston, Philadelphia, and Baltimore. Many examples of American Empire cabinetmaking are characterized by antiquities-inspired carving, gilt-brass furniture mounts, and decorative inlays such as stamped-brass banding with egg-and-dart , diamond ...

5. Ancient furniture - Wikipedia

   en.wikipedia.org/wiki/Ancient_furniture

   This furniture is usually decorated with basketry motifs, ivory inlays, hippopotamus and elephant ivories, and it was finely carved in the shape of bull legs. The base of each leg, terminated in a ribbed cylinder design to protect the foot of the support. Furniture legs were finished with the pedestal feet.

6. 5 Items From the 1970s That Are Worth a Lot of Money - AOL

   www.aol.com/5-items-1970s-worth-lot-170007423.html

   Here are some examples of what just basic vintage games could make you if you sell them. Space Invaders (Atari 2600, 1978): $75 to $1,450 Pong (original Atari Pong C-100, 1972): $100 to $150

7. Thomas Day (cabinetmaker) - Wikipedia

   en.wikipedia.org/wiki/Thomas_Day_(cabinetmaker)

   Overall, Day's architectural work, much like his furniture craftsmanship, focuses on creating a balance of motion through complementary curvatures. [18]: 161, 164–165 Unlike his furniture, however, Day sometimes added carved faces to his architectural work, especially on mantle pieces, as seen on a mantle in the Long House.