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Christian obedience is a free choice to surrender one's will to God, [6] and an act of homage. [3]Amongst the moral virtues obedience enjoys a primacy of honour. The reason is that the greater or lesser excellence of a moral virtue is determined by the greater or lesser value of the object which it qualifies one to put aside in order to give oneself to God.
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
"The evangelical counsel of obedience, undertaken in a spirit of faith and love in the following of Christ who was obedient even unto death requires a submission of the will to legitimate superiors, who stand in the place of God when they command according to the proper constitutions." [1]
Christ's active obedience (doing what God's law required) is usually distinguished from his passive obedience (suffering for his people), but J. Gresham Machen argues, "Every event of his life was a part of his payment for the penalty of sins, and every event of his life was a part of that glorious keeping of the law of God by which he earned ...
The Obedience of a Christian Man (from here on abbreviated as Obedience) was first printed in Antwerp on October 2, 1528 (viii). Despite being officially banned, Obedience was still widely read throughout England and, later on, was even mentioned in the works of Shakespeare (xxvii). Anne Boleyn, (later Henry VIII's second wife) owned a copy.
The Crucifix, a cross with corpus, a symbol used in the Catholic Church, Lutheranism, the Eastern Orthodox Church, and Anglicanism, in contrast with some other Protestant denominations, Church of the East, and Armenian Apostolic Church, which use only a bare cross Early use of a globus cruciger on a solidus minted by Leontios (r. 695–698); on the obverse, a stepped cross in the shape of an ...
"Christ and the Rich Young Ruler" by Heinrich Hofmann. Jesus and the rich young man (also called Jesus and the rich ruler) is an episode in the life of Jesus recounted in the Gospel of Matthew 19:16–30, the Gospel of Mark 10:17–31 and the Gospel of Luke 18:18–30 in the New Testament. It deals with eternal life [1] [2] and the world to ...
The last part of the 20th and the first part of the 21st century have seen a focused effort by artists who claim faith in Christ to re-establish art with themes that revolve around faith, Christ, God, the Church, the Bible and other classic Christian themes as worthy of respect by the secular art world.
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