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Despite being a common grouping in jazz, saxophone, piano and percussion was an extremely rare grouping in classical music until the end of the 20th century, when Trio Accanto started commissioning works to build a repertoire for themselves.
Edentia for soprano saxophone and electronic music (2007)—Karlheinz Stockhausen Three Jazzicals for soprano saxophone and tuba (2009)— Howard J. Buss Cosmic Portraits for flute, clarinet, alto saxophone, and tenor saxophone (2009)— Howard J. Buss
The music in Scaramouche is taken from incidental music that Milhaud composed for two plays. The first and third movements are inspired by themes composed for Henri Pascar's production of an adaptation of Molière's Le Médecin volant (The Flying Doctor); [1] [2] [3] it is from here that Scaramouche gets its name, as Pascar's group of players was named the Théatre Scaramouche.
Set of Patriotic Duets (violin and cello) Gentle Light (piano trio) Rhapsody (violin and piano) Five Miniatures (alto saxophone and mallet percussion) Strange Birds (chamber suite for flute, piano and marimba) Through primrose tufts... (string quartet) Out in Front (jazz sextet) Austin-tatious (jazz sextet)
IMSLP logo (2007–2015) The blue letter featured in Petrucci Music Library logo, used in 2007–2015, was based on the first printed book of music, the Harmonice Musices Odhecaton, published by Ottaviano Petrucci in 1501. [5] From 2007 to 2015, the IMSLP / Petrucci Music Library used a logo based on a score.
The Suite for Jazz Orchestra No. 2 (Russian: Сюита для джазового оркестра №2) is a suite by Dmitri Shostakovich.It was written in 1938 for the newly founded State Jazz Orchestra of Victor Knushevitsky, and was premiered on 28 November 1938 in Moscow (Moscow Radio) by the State Jazz Orchestra.
He began studying music composition after moving to Mexico in 1970 with Humberto Hernandez Medrano. Mr. Franzetti moved to the U.S. in 1974 working at first with Salsa bands and later composing and arranging music for advertising. He studied for two years at Juilliard School, where he continued his conducting studies with Vincent La Selva. [1] [2]
The coda features a duet between a sax solo, accordion solo, and guitar solo by Richard Thompson. The song is in the key of G major , with a fast tempo in 4/4 time. It uses a chord pattern of E7-A-E7-A-D-G on the verses, and B7-C-D-G twice on the chorus.
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