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A bridge-parallel amplifier topology is a hierarchical combination of the bridged and paralleled amplifier topologies, with at least four single-ended channels needed to produce one bridge-parallel channel. The two topologies complement each other in that the bridging allows for higher voltage output and the paralleling provides the current ...
Hobbyist constructed Mono PPP amplifier using 813/QB2/250. ~ 65W in Class A. Weight is 48 kg, dissipation is 1 kW. Many modern commercial amplifiers (and some hobbyist constructions) place multiple pairs of output valves of readily obtainable types in parallel to increase power, operating from the same voltage required by a single pair.
For voice transmission on AM a final amplifier with one or more 807s, up to about four, could be connected in parallel running class-C. Connecting multiple 807s in parallel produced more power to feed to the antenna. Often the modulator stage (simply a transformer-coupled audio amplifier for A.M., with the secondary of its output transformer in ...
A valve amplifier or tube amplifier is a type of electronic amplifier that uses vacuum tubes to increase the amplitude or power of a signal. Low to medium power valve amplifiers for frequencies below the microwaves were largely replaced by solid state amplifiers in the 1960s and 1970s.
A valve RF amplifier (UK and Aus.) or tube amplifier is a device for electrically amplifying the power of an electrical radio frequency signal. Low to medium power valve amplifiers for frequencies below the microwaves were largely replaced by solid state amplifiers during the 1960s and 1970s, initially for receivers and low power stages of ...
A SET tube audio amplifier. A single-ended triode (SET) is a vacuum tube electronic amplifier that uses a single triode to produce an output, in contrast to a push-pull amplifier which uses a pair of devices with antiphase inputs to generate an output with the wanted signals added and the distortion components subtracted.
The design of the distributed amplifiers was first formulated by William S. Percival in 1936. [1] In that year Percival proposed a design by which the transconductances of individual vacuum tubes could be added linearly without lumping their element capacitances at the input and output, thus arriving at a circuit that achieved a gain-bandwidth product greater than that of an individual tube.
The tube is popular in hi-fi vacuum tube audio as a low-noise line amplifier, driver (especially for tone stacks), and phase-inverter in vacuum tube push–pull amplifier circuits. It was widely used, in special-quality versions such as ECC82 and 5814A, in pre-semiconductor digital computer circuitry.