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More free-form and improvisational, her patterns began as "Nine Patch" quilts, but morphed during the process into, what the artist deemed, "This and That" patchwork. She described her method: "I may start off looking like planning a "Nine Patch," but then I take this, take that, take patches, blocks, strips, and seeing where I am going, laying ...
The second style she created was a "Nine Patch," which is nine separately designed quilt rectangles pieced together. Initially, like most young quilters, her primary material was repurposed clothing. [2] Lucy T.'s Great-Aunt Lucy worked for a white employer in Camden, Alabama. They gave her a quilting book which contained numerous, detailed ...
The book claims that there was a quilt code that conveyed messages in counted knots and quilt block shapes, colors and names. [5] In a 2007 Time magazine article, Tobin stated: "It's frustrating to be attacked and not allowed to celebrate this amazing oral story of one family's experience. Whether or not it's completely valid, I have no idea ...
Barbara Brackman has documented over 4000 different quilt block patterns from the early 1830s to the 1970s in the Encyclopedia Of Pieced Quilt Patterns. [33] Some of the simpler designs for quilt blocks include the Nine-Patch, Shoo Fly, Churn Dash, and the Prairie Queen.
A 1979 quilt by Lucy Mingo of Gee's Bend, Alabama. It includes a nine-patch center block surrounded by pieced strips. The quilts of Gee's Bend are quilts created by a group of women and their ancestors who live or have lived in the isolated African-American hamlet of Gee's Bend, Alabama along the Alabama River.
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