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The Gibson SG is a solid-body electric guitar model introduced by Gibson in 1961, [1] ... 2009 SG Classic with P90 pickups. SG 3 (2007) At the launch of the SG in ...
On this mid-level SG model, Gibson kept the neck binding but used dot inlays in place of the trapezoid position markers of the standard model and did not use the crown inlay on the headstock. With various minor changes (bridge and tailpiece replacing the stoptail in 1972, mini humbucker pickups between 1972 and 1976 and full sized open-coil ...
The P-90 (sometimes written P90) is a single coil electric guitar pickup produced by Gibson Guitar Corporation since 1946, as well as other vendors. Compared to other single coil designs, such as the Fender single coil, the bobbin for a P-90 is wider but shorter.
It is known for its single P-90 treble pickup, and the single piece 'wrap-around' bridge instead of the two-piece tune-o-matic bridge and tails-stop arrangement found on the SG Standard. From 1961 to 1963, it was branded with the "Les Paul Junior" name. In 1963, "Les Paul" was removed from the headstock and it was officially called the SG ...
The SG Melody Maker alongside the rest of the SG line was discontinued and replaced by the short-lived SG 100, 200 and 250 of 1972, quickly replaced by the more traditional SG I, II, and III. In 1974-75 Gibson finally moved to the much more cost-efficient bolt-on necks with the Gibson Marauder and then the Gibson Sonex of the 80s.
Dog-ear P-90 pickups were commonly mounted on Gibson's hollowbody guitars like the ES-330 and occasionally on solid body models like the Les Paul Junior. The same pickups were also available on Epiphone models (since Gibson was building Epiphone guitars in the 1950s) and the design is best remembered for its appearance on the hollow body ...
This is a list of Gibson brand of stringed musical instruments, mainly guitars, manufactured by Gibson, alphabetically by category then alphabetically by product (lowest numbers first). The list excludes other Gibson brands such as Epiphone.
In the mid-1950s Gibson looked to create a new guitar pickup different from existing popular single coil designs. Gibson had already developed the Charlie Christian pickup and P-90 in the 1930s and 40s; however, these designs—like competitor Fender's single-coil pickups—were fraught with inherent 60-cycle hum sound interference.
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