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Kanakangi scale with shadjam at C. It is the 1st rāgam in the 1st chakra Indu.The mnemonic name is Indu-Pa.The mnemonic phrase is sa ra ga ma pa dha na. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) has all shuddha swaras, as follows (see swaras in Carnatic music for details on below notation and terms):
Shubhapantuvarali scale with shadjam at C. It is the 3rd rāgam in the 8th chakra Vasu.The mnemonic name is Vasu-Go.The mnemonic phrase is sa ra gi mi pa dha nu. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
Karnataka Shuddha Saveri is a rāgam in Carnatic music (musical scale of South Indian classical music). It is an audava rāgam (or owdava rāgam, meaning pentatonic scale). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes). This scale is known as Shuddha Sāveri in the Muthuswami Dikshitar school of ...
Chakravakam scale with Shadjam at C. It is the 4th melakarta in the 3rd chakra- Agni.The mnemonic name is Agni-Bhu.The mnemonic phrase is sa ra gu ma pa dhi ni. [1] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
Vasantha (pronounced vasantā) is a raga in Carnatic music (musical scale of South Indian classical music). It is a janya raga of Suryakantam , the 17th Melakarta raga. [ 1 ] According to P|Subba Rao, majority opinion is that the raga is derived from Mayamalavagowla , the 15th Melakarta raga.
Malayamarutam is a rāgam in Carnatic music (musical scale of South Indian classical music). It is a janya rāgam (derived scale), as it does not have all the seven swaras (musical notes). This scale is used in Hindustani music in recent years by instrumentalists. [1] This is a morning raga [1] [2] and regularly used in programmes and functions ...
Melakarta Ragas Janya ragas are Carnatic music ragas derived from the fundamental set of 72 ragas called Melakarta ragas, by the permutation and combination of the various ascending and descending notes. The process of deriving janya ragas from the parent melakartas is complex and leads to an open mathematical possibility of around thirty thousand ragas. Though limited by the necessity of the ...
Sriranjani is a ragam in Carnatic music (musical scale of South Indian classical music). It is a hexatonic scale (shadava rāgam, which means "of six"). It is a derived scale (janya rāgam), as it does not have all the seven swaras (musical notes). It is also written as Shri ranjani or Shree Ranjani. It also exist in Hindustani music, with a ...