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Pitch correction devices became popular in the late 1990s as a distinctively electronic, vocoder-like voice effect. A notable example of Auto-Tune-based pitch correction is the Cher effect, so named because producer Mark Taylor originated the effect in her 1998 hit song "Believe". [4]
[15] [16] [17] Two months later, Cher's 1998 song "Believe" popularized distorted Auto-Tune vocals. [18] While Auto-Tune was designed to be used subtly to correct vocal performances, the "Believe" producers used extreme settings to create unnaturally rapid corrections in Cher's vocals, thereby removing portamento, the natural slide between ...
Three years before Celemony was founded, Peter Neubäcker was working on a research experiment with sound. This experiment later turned into the Melodyne pitch correction product. Melodyne has become a tool which is used by a large number of professional record producers worldwide to tune and manipulate audio signals, typically a singer's vocals.
Pitch correction is a form of pitch shifting and is found in software such as Auto-Tune and Melodyne to correct intonation inaccuracies in a recording or performance. Pitch shifting may raise or lower all sounds in a recording by the same amount, whereas in practice, pitch correction may make different changes from note to note. [5]
Lip sync is considered a form of miming.It can be used to make it appear as though actors have substantial singing ability (e.g., The Partridge Family television show), to simulate a vocal effect that can be achieved only in the recording studio (e.g., Cher's Believe, which used an Auto-Tune effects processing on her voice); to improve performance during choreographed live dance numbers that ...
In musical applications the original sounds, either from vocals or from other sources such as instruments, are used and fed into a system of filters and noise generators. The input is fed through band-pass filters to separate the tonal characteristics which then trigger noise generators. The sounds generated are mixed back with some of the ...
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