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Early Christian art and architecture (or Paleochristian art) is the art produced by Christians, or under Christian patronage, from the earliest period of Christianity to, depending on the definition, sometime between 260 and 525. In practice, identifiably Christian art only survives from the 2nd century onwards. [1]
Byzantine art comprises the body of artistic products of the Eastern Roman Empire, [1] as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of western Rome and lasted until the Fall of Constantinople in 1453, [2] the start date of the Byzantine period is rather clearer in art history than in political history, if still ...
The single most important piece of Byzantine Christian mosaic art in the East is the Madaba Map, made between 542 and 570 as the floor of the church of Saint George at Madaba, Jordan. It was rediscovered in 1894. The Madaba Map is the oldest surviving cartographic depiction of the Holy Land.
The events that mark the division between early and middle Byzantine art are called the Iconoclastic Controversies, which took place from 726 to 842. This period is defined by a deep skepticism towards icons ; in fact, Emperor Leo III placed an outright ban on the creation of religious images, and authorities within the Orthodox Church ...
Early Christian art, more generally described as Late Antique art, covers the period from about 200 (before which no distinct Christian art survives), until the onset of a fully Byzantine style in about 500. There continue to be different views as to when the medieval period begins during this time, both in terms of general history and ...
It is generally agreed that the throne was carved in the Greek East of the Byzantine Empire and shipped to Ravenna, but there has long been scholarly debate over whether it was made in Constantinople or Alexandria. [4] [5] [6] The style of the throne is a mixture of Early Christian art and that of the First Golden Age of Byzantine art.
The Salerno Ivories are a collection of Biblical ivory plaques from around the 11th or 12th century that contain elements of Early Christian, Byzantine, and Islamic art as well as influences from Western Romanesque and Anglo-Saxon art. [1] Disputed in number, it is said there are between 38 and 70 plaques that comprise the collection. [2]
Late 13th-century Byzantine mosaics of the Hagia Sophia showing the image of Christ Pantocrator.. Much of the art surviving from Europe after the fall of the Western Roman Empire is Christian art, although this is in large part because the continuity of church ownership has preserved church art better than secular works.
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