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17. “Father and Son” by Cat Stevens. Release Year: 1970 Genre: Folk Like most of Cat Stevens’ music, this touching tune about fathers and sons is sappy in the best way possible.
Life for the Taking is the second studio album by American rock musician Eddie Money. It was recorded and released in late 1978 in the US and January 1979 in the UK on manager Bill Graham 's Wolfgang imprint via Columbia Records .
"Been Caught Stealing" is a song by American rock band Jane's Addiction, released in November 1990 by Warner Bros. as the third single from the band's second album, Ritual de lo Habitual (1990). The song is also the band's biggest hit, spending four weeks at No. 1 on the US Billboard Modern Rock chart. [ 3 ]
It set a record on that chart as the first song to reach two million streams in a single week since the chart's inception. The song also topped the R&B/Hip-Hop Songs chart for fourteen consecutive weeks. [17] The song was the first independently distributed title to top the Billboard Digital Songs since "We Are the World 25 for Haiti" in
Elegies is a song cycle by William Finn about the deaths of friends and family and is a response to the September 11, 2001 terrorist attacks. Elegies premiered at Lincoln Center in 2003 and has been performed in many other venues.
The song was subsequently covered by Barenaked Ladies on the 1991 Cockburn tribute album Kick at the Darkness. Released as their debut single, it became their first top 40 hit on the Canadian charts, reaching No. 16 the week of February 15, 1992. [4] It also appeared on their greatest hits compilation Disc One: All Their Greatest Hits (1991 ...
The song was named after Cassidy Law, who was born in 1970 and was the daughter of Grateful Dead crew member Rex Jackson and Weir's former housemate Eileen Law. [1] The lyrics also allude to Neal Cassady , who was associated with the Beats in the 1950s [ 4 ] and the Acid Test scene that spawned the Grateful Dead in the 1960s.
"Common People" is a song by English alternative rock band Pulp, released in May 1995 by Island Records as the lead single from their fifth studio album, Different Class (1995). It reached No. 2 on the UK Singles Chart , becoming a defining track of the Britpop movement as well as Pulp's signature song . [ 2 ]