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17. “Father and Son” by Cat Stevens. Release Year: 1970 Genre: Folk Like most of Cat Stevens’ music, this touching tune about fathers and sons is sappy in the best way possible.
"Maybe I'm a Fool" is a song by American rock singer, Eddie Money, from his album Life for the Taking in 1978. It was the first of two single releases from the LP, and was the bigger hit. The song reached #22 on the U.S. Billboard Hot 100 and #28 in Canada in early 1979. [1] It was also a modest hit in Australia (#51).
Life for the Taking is the second studio album by American rock musician Eddie Money. It was recorded and released in late 1978 in the US and January 1979 in the UK on manager Bill Graham 's Wolfgang imprint via Columbia Records .
"Been Caught Stealing" is a song by American rock band Jane's Addiction, released in November 1990 by Warner Bros. as the third single from the band's second album, Ritual de lo Habitual (1990). The song is also the band's biggest hit, spending four weeks at No. 1 on the US Billboard Modern Rock chart. [ 3 ]
"Can't Keep a Good Man Down" is a song by American rock singer Eddie Money, from his album Life for the Taking in 1978. [1] It was released as a single and reached #63 on the Billboard Hot 100 . References
The song was subsequently covered by Barenaked Ladies on the 1991 Cockburn tribute album Kick at the Darkness. Released as their debut single, it became their first top 40 hit on the Canadian charts, reaching No. 16 the week of February 15, 1992. [4] It also appeared on their greatest hits compilation Disc One: All Their Greatest Hits (1991 ...
"Money for Nothing" is a song by British rock band Dire Straits, the second track on their fifth studio album Brothers in Arms (1985). It was released as the album's second single on 28 June 1985 through Vertigo Records. The song's lyrics are written from the point of view of two working-class men watching music videos and commenting on what ...
"Common People" is a song by English alternative rock band Pulp, released in May 1995 by Island Records as the lead single from their fifth studio album, Different Class (1995). It reached No. 2 on the UK Singles Chart , becoming a defining track of the Britpop movement as well as Pulp's signature song . [ 2 ]