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Michael Jackson had the highest number of top hits at the Billboard Hot 100 chart during the 1980s (9 songs). In addition, Jackson remained the longest at the top of the Billboard Hot 100 chart during the 1980s (27 weeks). Madonna ranked as the most successful female artist of the 1980s, with 7 songs and 15 weeks atop the chart.
From trivia questions and answers on the '80s, '90s and 2000s to fun facts on pop, rock and country music, we've got a comprehensive list of easy and challenging music facts that are sure to test ...
Synthwave is a microgenre [9] [10] of electronic music [1] that draws predominantly from 1980s films, video games, and cartoons, [11] as well as composers such as John Carpenter, Jean-Michel Jarre, Vangelis, and Tangerine Dream. [12] [13] Other reference points include electronic dance music genres including house, synth, and nu-disco. [14]
Electronic music made occasional moves into the mainstream, with jazz musician Stan Free, under the pseudonym Hot Butter, having a top 10 hit in the United States and United Kingdom in 1972, with a cover of the 1969 Gershon Kingsley song "Popcorn" using a Moog synthesizer, which is recognised as a forerunner to synth-pop and disco. [29]
The 1980s produced chart-topping hits in pop, hip-hop, rock, and R&B. Here's a list of the best songs from the time, ranging from Toto to Michael Jackson.
You're wearing '90s clothes.You're fondly remembering '90s brands.Even looking at a choker makes you, well, choke up. If you're of a certain age (that is, my age), there is also a bracket of pop ...
Synth-pop (also known as electropop or technopop) [1] [2] is a music genre that uses the synthesizer as the dominant musical instrument. With the genre becoming popular in the late 1970s and 1980s, the following article is a list of notable synth-pop acts, listed by the first letter in their name (not including articles such as "a", "an", or "the").
"Pressure" is a 1982 song by American musician Billy Joel from the album The Nylon Curtain, released as the album's first single and reached at number 20 on the US Billboard Hot 100. The synthesizer-driven rock song tells about the pressure of creating and the pressure of being a provider.