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Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).
This sale set a record for Still Life with Japanese Woodcut at $1.4 million, and the work is currently valued at $45 million. [3] During the direction of Mahmoud Shalouithe, the National Gallery of Art in Washington, D.C., and the Tate Modern in London tried to borrow the painting but the requests were rejected. [4]
A form is an artist's way of using elements of art, principles of design, and media. Form, as an element of art, is three-dimensional and encloses space. Like a shape, a form has length and width, but it also has depth. Forms are either geometric or free-form, and can be symmetrical or asymmetrical.
Van Gogh had been introduced by his brother Theo to Monticelli's still life work with flowers in Paris. He admired Monticelli's use of color as an expansion of Delacroix's theories of color and contrast. Secondly he admired the effect Monticelli created by heavy application of paint called "impasto". It was partially Monticelli, from Marseilles ...
Pronkstilleven (Dutch for 'ostentatious', 'ornate' or 'sumptuous' still life) is a style of ornate still life painting, characterised by large and complex compositions and an elaborate palette. Pronkstillevens typically depict a wide variety of objects, fruits, flowers and inanimate animals, often accompanied by live human and animal figures.
This hybrid character extends to the genre, both a still life and a landscape. The preparatory drawings, found in a piece of newspaper, tell that this work was intended to be a large pastel, related to the series of 1934. They are inspired by Van Gogh's work A Pair of Shoes. [11]
In 2014 Still Life with Checked Tablecloth was sold at Christie's London for £34.8 million ($57.1 million), attaining a world record price for a work by Juan Gris at a public auction. [4] This surpassed previous records of $20.8 million for his 1915 work, Livre, pipe et verres, and $28.6 million for the 1913 painting, Violon et guitare. [8]
The work is a still life in the genre of vanitas, painted with oils on oak panel, and measuring 39.2 by 50.7 cm (15.4 by 20.0 in). [1] Like most vanitas paintings, it contains deep religious overtones and was created to both remind viewers of their mortality (a memento mori) and to indicate the transient nature of material objects. [3]
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