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The novella The World More Full of Weeping by Robert Wiersema references the poem. The novel Shutter Man by Richard Montanari features the last stanza of the poem in one of the first pages. The poem is referenced in the novel The Lost Book of the White by Cassandra Clare. The 2020 film Come Away also features the poem.
"An Irish Airman Foresees His Death" is a poem by Irish poet William Butler Yeats (1865–1939), written in 1918 and first published in the Macmillan edition of The Wild Swans at Coole in 1919. [1] The poem is a soliloquy given by an aviator in the First World War in which the narrator describes the circumstances surrounding his imminent death.
The poem on a gravestone at St Peter’s church, Wapley, England "Do not stand by my grave and weep" is the first line and popular title of the bereavement poem "Immortality", written by Clare Harner in 1934. Often now used is a slight variant: "Do not stand at my grave and weep".
“The Second Coming” is a poem written by Irish poet William Butler Yeats in 1919, first printed in The Dial in November 1920 and included in his 1921 collection of verses Michael Robartes and the Dancer. [1] The poem uses Christian imagery regarding the Apocalypse and Second Coming to describe allegorically the atmosphere of post-war Europe ...
William Butler Yeats [a] (13 June 1865 – 28 January 1939) was an Irish poet, dramatist and writer, and one of the foremost figures of 20th-century literature. He was a driving force behind the Irish Literary Revival , and along with Lady Gregory founded the Abbey Theatre , serving as its chief during its early years.
The poem is recited in the 1998 film, Velvet Goldmine. [citation needed] The 2003 movie, Identity, repeats the last verse of the poem at various parts in the movie, replacing its last presented line by the actual last line of the first verse. [citation needed] The 2009 horror film, The Haunting in Connecticut, quotes part of the poem. [citation ...
Earth's Answer is a poem by William Blake within his larger collection called Songs of Innocence and of Experience (published 1794). [2] It is the response to the previous poem in The Songs of Experience-- Introduction (Blake, 1794). In the Introduction, the bard asks the Earth to wake up and claim ownership. In this poem, the feminine Earth ...
The verse was set to music by Herbert Hughes to the traditional air "The Maids of Mourne Shore" in 1909. [1] In the 1920s composer Rebecca Clarke (1886–1979) set the text to her own music. [ 9 ] The composer John Ireland (1879–1962) set the words to an original melody in his song cycle Songs Sacred and Profane , written in 1929–31.