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Title page of Beowulf: The Monsters and the Critics, 1936 "Beowulf: The Monsters and the Critics" was a 1936 lecture given by J. R. R. Tolkien on literary criticism on the Old English heroic epic poem Beowulf. It was first published as a paper in the Proceedings of the British Academy, and has since been reprinted in many collections.
The Monsters and the Critics, and Other Essays is a collection of J. R. R. Tolkien's scholarly linguistic essays edited by his son Christopher and published posthumously in 1983. All of them were initially delivered as lectures to academics, with the exception of " On Translating Beowulf " , which Christopher Tolkien notes in his foreword is ...
Beowulf and the Critics by J. R. R. Tolkien is a 2002 book edited by Michael D. C. Drout that presents scholarly editions of the two manuscript versions of Tolkien's essays or lecture series "Beowulf and the Critics", which served as the basis for the much shorter 1936 lecture "Beowulf: The Monsters and the Critics".
The commentary formed the basis of Tolkien's acclaimed 1936 lecture "Beowulf: The Monsters and the Critics". [1] [2] There follows Tolkien's story "Sellic Spell", with a short introduction and notes by Christopher Tolkien. It represents Tolkien's attempt to reconstruct the folktale underlying the narrative of the first half of Beowulf.
In his famous 1936 lecture, "Beowulf: The Monsters and the Critics", Tolkien described the poem's monsters as central to its structure, changing the course of Beowulf scholarship. [1] Commentators have noted that Tolkien clearly preferred the epic's monsters to the critics. [5]
Tolkien stated in The Monsters and the Critics that Beowulf: [30] must have succeeded admirably in creating in the minds of the poet's contemporaries the illusion of surveying a past, pagan but noble and fraught with a deep significance – a past that itself had depth and reached backward into a dark antiquity of sorrow.
Alongside his 1936 essay "Beowulf: The Monsters and the Critics", it is his most influential scholarly work. Several scholars have used "On Fairy-Stories" as a route to understanding Tolkien's own fantasy, The Lord of the Rings, complete with its sub-created world of Middle-earth. Clyde Northrup argues that in the essay, Tolkien argues that ...
She cites Tolkien's words in The Monsters and the Critics that it is "by a learned man writing of old times, who looking back on the heroism and sorrow feels in them something permanent and something symbolical". [24] [T 6] He was speaking about Beowulf; she applies his words to his own writings, that his mythology was meant to provide [24]
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