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Changshan is often worn by traditional xiangsheng performenrs. Changshan are traditionally worn for formal pictures, weddings, and other formal Chinese events. A black changshan, along with a rounded black hat, was, and sometimes still is, the burial attire for Chinese men.
The type of qizhuang that both men and women typically wore consisted of long robes, which can be referred to as the Manchu changpao and also categorized under the broad category of changpao (Chinese: 长袍; Chinese: 長袍; lit. 'long robe') or changshan (simplified Chinese: 长衫; traditional Chinese: 長衫; lit. 'long shirt'). [14]
The changshan, also known as changpao (lit. "long shirt/ long gown"), worn by the Han Chinese was a derivative of the Ming dynasty clothing [25] but was modelled after the Manchu men's robe. [1] It thus adopted Manchu clothing elements by slimming their Ming dynasty's changshan, by adopting the pipa-shaped collar, and by adopting the use of ...
There were at least two types of high collar jackets in the Ming dynasty: liling duijin shan (Chinese: 立领对襟衫) which is jacket with high collar and closes at the front centrally, and liling dajin changshan (Chinese: 立领大襟长衫) which is a long jacket with stand-up collar, it overlaps from the neck and closes at the right side. [31]
The cheongsam is a body-hugging (modified in Shanghai) one-piece Chinese dress for women; the male version is the changshan. It is known in Mandarin Chinese as the qípáo ( 旗袍 ; Wade-Giles ch'i-p'ao ), and is also known in English as a mandarin gown .
A Chinese laborer wearing a magua painted by Pierre-Louis Delaval. The magua (Manchu: ᠣᠯᠪᠣ olbo, simplified Chinese: 马褂; traditional Chinese: 馬褂) was a style of jacket worn by males during the Qing dynasty (1644–1911), designed to be worn together with and over the manshi changshan (滿式長衫) as part of the Qizhuang.
The representative clothing of the Song dynasty's elderly is a wide sleeved robe with a cross necked (cross necked) collar and a Dongpo scarf. The robe is made of dark material with edges to preserve ancient style. The Dongpo scarf is a square tube shaped high scarf, which is said to have been created by the great literary scholar Su Dongpo.
Áo dài looks similar to the cheongsam as they both consist of a long robe with side splits on both sides of the robe with one of the main difference typically being the height of the side split. [58] Áo dài is also similar to the shalwar kameez and the kurta of countries following Indo-Islamic culture such as India, Pakistan, etc. [59]