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Panel of the Battle of Aljubarrota by Portuguese artist Jorge Colaço, 1922. Azulejo (Portuguese: [ɐzuˈle(j)ʒu, ɐzuˈlɐjʒu], Spanish:; from the Arabic الزليج, al-zillīj) [1] [2] is a form of Portuguese and Spanish painted tin-glazed ceramic tilework.
Delftware or Delft pottery, also known as Delft Blue [1] (Dutch: Delfts blauw) or as delf, [2] is a general term now used for Dutch tin-glazed earthenware, a form of faience. Most of it is blue and white pottery , and the city of Delft in the Netherlands was the major centre of production, but the term covers wares with other colours, and made ...
17th century Delft blue and white tile with sea monster. Delftware wall tiles, typically with a painted design covering only one (rather small) blue and white tile, were ubiquitous in Holland and widely exported over Northern Europe from the 16th century on, replacing many local industries. Several 18th century royal palaces had porcelain rooms ...
Tile frieze with lotus and grapes Egyptian faience is a sintered-quartz ceramic material from Ancient Egypt . The sintering process "covered [the material] with a true vitreous coating" as the quartz underwent vitrification , creating a bright lustre of various colours "usually in a transparent blue or green isotropic glass".
There are many examples of Lajvardina tiles, and these were often used to tile the outsides of buildings. Tiles are seen as the better preserved examples of the design style. [9] Lajvardina-type ceramics were used around 1334 for the coverings of the mausoleum of Qutham ibn Abbas in the necropolis of Shah-i-Zinda, near Samarkand. [16]
Chinese blue and white ware became extremely popular in the Middle-East from the 14th century, where both Chinese and Islamic types coexisted. [20] From the 13th century, Chinese pictorial designs, such as flying cranes, dragons and lotus flowers also started to appear in the ceramic productions of the Near-East, especially in Syria and Egypt. [21]
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