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Woman with a Water Jug (Dutch: Vrouw met waterkan), also known as Young Woman with a Water Pitcher, is a painting finished between 1660–1662 by the Dutch painter Johannes Vermeer in the Baroque style. It is oil on canvas, 45.7cm × 40.6 cm, and is on display at the Metropolitan Museum of Art, New York.
The official position taken by the Wikimedia Foundation is that "faithful reproductions of two-dimensional public domain works of art are public domain".This photographic reproduction is therefore also considered to be in the public domain in the United States.
Anna Seiler is represented by a woman in a blue dress, pouring water into a small dish. She stands on a pillar brought from the Roman town of Aventicum (modern Avenches ). On 29 November 1354 in her will [ 2 ] she asked the city to help found a hospital in her house which today stands on Zeughausgasse .
The painting shows a milkmaid, a woman who milks cows and makes dairy products like butter and cheese, in a plain room carefully pouring milk into a squat earthenware container on a table. Milkmaids began working solely in the stables before large houses hired them to do housework as well rather than hiring out for more staff.
The painting shows a tired, faceless Black woman sitting on the edge of her bed about start her workday. The artist first conceived of the painting while getting ready to catch a bus to work on a cold winter morning. [9] As of 2011, Blue Monday was the most mass-produced and popular painting of the artist. [10]
A Girl with a Watering Can is an 1876 Impressionist oil painting on canvas by Pierre-Auguste Renoir. The work was apparently painted in Claude Monet's famous garden at Argenteuil, and may portray one of the girls in Renoir's neighborhood in a blue dress holding a watering can. [1] The painting is in the National Gallery of Art, in Washington, D.C..
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[5]: 70 The painting's current owner believes the man is Baron Ghez, although there is no further description or support provided. [ 2 ] : 61 Prior to the Bouillon's observation about the age inconsistency, the woman on the right was assumed to be Fantin-Latour's wife, Victoria Dubourg , and the woman on the left was thought to be Marie ...
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