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Korg CX-3 (1980) According to journalist Gordon Reid, it "came close to emulating the true depth and passion of a vintage Hammond." [1]Transporting the heavy Hammond organ, bass pedalboard (a B-3 organ, bench and pedalboard weighs 425 pounds/193 kg) and Leslie speaker cabinets to performance venues makes it cumbersome for artists to tour with a vintage electromechanical organ.
The 30-note pedalboard of a Rieger organ. A pedalboard (also called a pedal keyboard, pedal clavier, or, with electronic instruments, a bass pedalboard [1]) is a keyboard played with the feet that is usually used to produce the low-pitched bass line of a piece of music.
A few of the bass pedals designed to be used with electronic or clonewheel organs have features that operate the upper manual keyboards, such as an expression pedal or swell pedal, which is a treadle-style potentiometer for controlling the volume; buttons to turn on or change the speed of a Leslie speaker, a rotating horn speaker in a cabinet; or program change buttons, which send a MIDI ...
Pedalboard may refer to: Pedal keyboard, a set of pedals analogous to a manual keyboard; Guitar pedalboard, a container for guitar effects pedals
Hammond used a 25-note pedalboard because he found that on traditional 32-note pedalboards used in church pipe organs, the top seven notes were seldom used. The Hammond Concert models E, RT, RT-2, RT-3 and D-100 had 32-note American Guild of Organists (AGO) pedalboards going up to the G above middle C as the top note. [ 9 ]
Guthrie Govan's Aristocrats pedalboard (2012 U.S. tour) A guitar pedalboard is a flat board or panel that serves as a container, patch bay, and power supply for effects pedals for the electric guitar. Some pedalboards contain their own transformer and power cables to power multiple pedals. Pedalboards help the player manage multiple pedals.
Mathias Peter Møller, commonly known as M.P. Möller or Moeller (29 September 1854 – 13 April 1937), was a prolific pipe-organ builder and businessman. [1] [2] [3 ...
While exceeding at adding subtle grit to a clean amp, the pedal failed to capture the tone of its namesake amp and was not a success during its limited initial production run. This changed years later when John Mayer started using a Bluesbreaker on his pedalboard, reigniting industry interest in it. Many pedal makers developed modified ...
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