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The first true graphic equalizer was the type 7080 developed by Art Davis's Cinema Engineering. [when?] It featured 6 bands with a boost or cut range of 8 dB. It used a slide switch to adjust each band in 1 dB steps. Davis's second graphic equalizer was the Altec Lansing Model 9062A EQ. In 1967 Davis developed the first 1/3 octave variable ...
An idealized and extreme smiley face curve shown using a 29-band graphic equalizer. A smiley face curve or mid scoop [1] in audio signal processing is a target frequency response curve characterized by boosted low and high frequencies coupled with reduced midrange frequency power.
Equalization (audio)#Graphic equalizer; This page is a redirect. The following categories are used to track and monitor this redirect: To a section: ...
There is a limit to the flexibility of such controls, and they are sometimes insufficient. If the degree of mis-match between microphones is great, simply increasing presence is not enough, and instead a sound engineer will use a graphic equalizer, sometimes several, each connected to an individual sound channel. [3]
Other notable products included the UREI Teletronix LA-3A electro-optical leveling amplifier, LA-4 electro-optical compressor limiter, [5] and UREI 500-series graphic equalizers. By 1976, UREI had moved their manufacturing and service center to Sun Valley, California .
3. Keebler Fudge Magic Middles. Neither the chocolate fudge cream inside a shortbread cookie nor versions with peanut butter or chocolate chip crusts survived.
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