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Fruit Bowl on a Table is a c. 1934 still-life oil painting by the French artist Pierre Bonnard which was bought by the city of Strasbourg in 1995 from the heiresses of Claude Roger-Marx. Today this painting is in the Musée d'Art moderne et contemporain. [1] [2]
This painting is a formal representation of its subject title, depicting a wooden table upon which are placed a large earthenware jug and a fruit bowl stacked with apples and oranges. To the left of the painting a curtain hangs in front of a patterned wall. A white cloth has been draped across the table with various fruits placed among its folds.
The Fruit Bowl is an early 20th century drawing by Juan Gris. The work was produced as part of a collaboration between Gris and Pierre Reverdy to commission a book filled with lithographs made from the former's paintings. The project was interrupted by the onset of World War I in 1914 and never finished.
The painting is dominated by a depiction of a stemmed silver fruit bowl containing pears. A deliberately created optical illusion of the human face occupies the same space as the dish; the fruits suggest wavy hair, the dish's bowl becomes the forehead, the stem of the dish serves as the bridge of the nose, and the dish's foot doubles as the chin.
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1947, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 75 years or fewer .
Fruits on a Table or Still Life with Apples and Grapes (Nature Morte a la Comptesse de N) is a still life painting by French artist Paul Gauguin painted in 1889. [1] It was one of two works stolen from the private collection of Terence F. Kennedy in London in June 1970 and recovered by the Carabinieri in Italy in April 2014.
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The painting was reproduced in the June 1924 (n. 6) issue of Bulletin de l'Effort Moderne. [1] In 1955, Fruit and a Jug on a Table appeared in a public auction in Paris, and was purchased by Marlborough Fine Art, Ltd., London. In 1957, the painting was purchased from the Marlborough gallery by the Museum of Fine Arts, Boston, for £1,200. [2]
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