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The Dutch adaptation of the Malay language during the colonial period resulted in the incorporation of a significant number of Dutch loanwords and vocabulary. This event significantly affected the original Malay language, which gradually developed into modern Indonesian. Most terms are documented in Kamus Besar Bahasa Indonesia. [1]
Tobelo (Indonesian: bahasa Tobelo) is a North Halmahera language spoken on the eastern Indonesian island of Halmahera and on parts of several neighboring islands. The Tobelo-speaking heartland is in the six administrative districts (Indonesian: kecamatan) of Tobelo, located on the western shore of Kao Bay and forming the central part of Halmahera Utara Regency.
Baduy (or sometimes referred to as Kanekes) is one of the Sundanese-Baduy languages spoken predominantly by the Baduy people. [2] It is conventionally considered a dialect of Sundanese, [3] but it is often considered a separate language due to its diverging vocabulary and cultural reasons that differ from the rest of the Sundanese people. [4]
Lampung is part of the Malayo-Polynesian branch of Austronesian family, although its position within Malayo-Polynesian is hard to determine. Language contact over centuries has blurred the line between Lampung and Malay, [4] [5] [6] to the extent that they were grouped into the same subfamily in older works, such as that of Isidore Dyen in 1965, in which Lampung is placed inside the "Malayic ...
Ahiri is an asymmetric rāgam which has vakra swaras (zig-zag notes) in the ascending scale. It is a sampurna rāgam (containing all 7 notes). [1] [2] Several ārohaṇa-avarohaṇa structures (ascending and descending scale) are assigned due to the usage of foreign notes (bhashanga prayogas):
Varali is an asymmetric rāgam due to the vakra prayoga in ascending scale. It is a vakra-sampurna-sampurna rāgam (sampurna meaning containing all 7 notes). [1] [2] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows:
Indeed, the purpose of an encyclopedia is to collect knowledge disseminated around the globe; to set forth its general system to the men with whom we live, and transmit it to those who will come after us, so that the work of preceding centuries will not become useless to the centuries to come; and so that our offspring, becoming better instructed, will at the same time become more virtuous and ...
The scale of Kambhoji is also said to have been derived from Cambodia. Arohana: S R2 G3 M1 P D2 S Avarohana: S N3 D2 P M1 G3 R2 S Usage of "n3" in phrase "npds" makes Kambhoji a bhashanga raga (a raga that includes notes other than what is in the parent raga).