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Country: Indonesia: Reference: 00617: Region: Asia and the Pacific: Inscription history; Inscription: 2015 (10th session) List: Representative: Wali Sacred Dances (Rejang, Sanghyang Dedari, Baris Upacara), Bebali Semi sacred Dances (Topeng Sidhakarya/Topeng Pajegan, Gambuh dance drama, Wayang Wong dance drama), Balih-balihan Entertainment Dances (Legong Kraton, Joged Bumbung, Barong Ket)
The Yospan dance (Indonesian: Tarian Yospan) is a type of social association dance in Papua which is a traditional dance originating from the coastal regions of Papua, namely Biak, Yapen and Waropen, which are often played by the younger people as a form of friendship. [233]
Traditionally, sacred dances can only be performed in temples. However, new choreographies have been created due to the demand from tourists. One example, Tari Sekar Jagat (Tari means dance in the Balinese language), is a relatively new choreography that has become popular. In the newer creations, choreographers have more freedom over the moves.
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English: Traditional Balinese Tari Topeng (mask) performed at a Balinese traditional ceremony in Bangli, Bali. Bahasa Indonesia: Tari Topeng pada upacara keagamaan di Bangli, Bali. Date
Papuan tumbu tanah dance. Prior to their contact with the outer world the people of the Indonesian archipelago had already developed their own styles of dancing, still somewhat preserved by those who resist outside influences and choose tribal life in the interior of Sumatra (example: Batak, Nias, Mentawai), of Kalimantan/Borneo (example: Dayak, Punan, Iban), of Java (example: Baduy), of ...
Kecak dance performances in Bali usually take place daily in the evening (6 pm, Bali time) at Balinese Hindu temples such as Uluwatu Temple and Tanah Lot. There are also dance stages used exclusively for kecak performances in Ubud , Garuda Wisnu Kencana , Batu Bulan, Pandawa beach and other places in Bali.
A condong figure in wayang kulit (before 1900). The condong dance originated in the palaces of Bali in the mid-19th century. Its creator is not known, [1] but folk history suggests that a prince of Sukawati, deathly ill, saw a vision of two beautiful girls dancing gracefully while accompanied by gamelan music; upon regaining his health, this prince recreated the dance he had seen. [2]