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The "Donut Repair Club" started in 1981 with Evans as "The Donut Man". [3] Evans used the donut's hole as a metaphor for something that was missing, a hole which Jesus could fill and repair. Over the following years, Evans and his Donut Repair club would sell more than 6 million CDs and DVDs, and held appearances at more than 2,500 church ...
The song "Donut Hole" was available to perform at karaoke in Japan from February 26, 2014. [27] On March 14, a music video was released for the song "Living Dead Youth," directed by Hidenobu Tanabe. [2] The song "Eine Kleine" was used as the Tokyo Metro commercial song, and was
"Doughnut" is a song recorded by South Korean girl group Twice. It is the group's ninth Japanese maxi single, featuring three other tracks.It was pre-released for digital download and streaming on December 3, 2021, by Warner Music Japan as a single from their fourth Japanese studio album, Celebrate.
Visual albums — a bunch of videos strung together to commemorate the release of new work from a musical artist — typically either feel like shameless promotion or a vanity project.
"Poppin' Apathy" (ポッピンアパシー, Poppin Apashī) is a song by Japanese musician Kenshi Yonezu. It was released as a double A-side single alongside the song "Mad Head Love" on October 23, 2013 by Universal Signma, on the same day that Yonezu's two self-released Vocaloid albums, Hanataba to Suisō and Official Orange, were re-issued by independent label Boundee by SSNW. [1]
Oh, No! It's Devo is the fifth studio album by American new wave band Devo, released in 1982 by Warner Bros. Records.The album was recorded over a period of four months, between May and September 1982, at Cherokee Studios in Hollywood, Los Angeles, and was produced by Roy Thomas Baker.
The “donut hole” refers to a gap in taxable income for Social Security purposes. Currently, the amount of income subject to Social Security payroll taxes is capped at $168,600 for 2024 and it ...
"Head Like a Hole" is a song by the American industrial rock band Nine Inch Nails, released as the second single from the group's debut album, Pretty Hate Machine. It enjoyed heavy rotation on the radio at the time of its release, eventually reaching number 9 on Billboard 's Bubbling Under Hot 100 chart.