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Manohla June Dargis (/ m ə ˈ n oʊ l ə ˈ d ɑːr ɡ ɪ s / mə-NOH-lə DAR-ghiss) [1] is an American film critic. She is the chief film critic for The New York Times. [2] She is a five-time finalist for the Pulitzer Prize for Criticism.
Giorgio Armani returned to New York for a seminal show at the Park Avenue Armory.
He is perhaps best known for his comic one-act plays; The New York Times in 1997 referred to him as the "maestro of the short form". [1] Ives has also written dramatic plays, narrative stories, and screenplays, has adapted French 17th and 18th-century classical comedies, and adapted 33 musicals for New York City's Encores! series. [2] [3]
In "Maestro," he works with a pointillistic intimacy that invests every moment with fascination and surprise. Cooper, in the second film he has directed (after "A Star Is Born"), places himself on ...
Green began at The New York Times as co-chief theater critic following the firing of the newspaper's second-string theatre critic, Charles Isherwood, in February 2017. [6] [7] At the time of his selections as co-chief critic, Green was noted to disagreed on his colleague Ben Brantley in multiple reviews, including of a revival of The Glass Menagerie. [8]
“Maestro” is, for this roughly first black-and-white hour, wonderfully brisk and free of normal biopic constraints. It’s like a dream of 1950s New York modernism. Dialogue moves at an urbane ...
Maestro might feel like Oscar bait because it crosses over into several of these categories. It’s a biopic, in which Cooper undergoes physical transformations with heavy makeup, wigs, and ...
In May 2011, he began writing a column called "The Day" for The New York Times online "City Room" blog. [7] That column ended in January 2013, and he began a new series of interviews for the Times . In 2014 he began writing an online series for the Times called Retro Report , linked with video documentaries exploring the long-term consequences ...