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Kiriya however is still too consumed with rage, so Frederica points a gun at herself. Shocked, Kiriya moves to stop Frederica, giving Shin the opening he needs to get into point-blank range of the Morpho and destroy Kiriya's core. Frederica then has a vision of Kiriya entrusting her care to Shin before being escorted to the afterlife by Shourei.
Kiriya Nouzen (キリヤ・ノウゼン, Kiriya Nōzen) Voiced by: Yūto Uemura (Japanese); Zeno Robinson (English) Kiriya is a descendant of the Nouzen family, and was Frederica's Imperial Knight. During the war, he killed a lot of people for the sake of Frederica and the Giad Empire.
Goemon (五右衛門, Goemon) is a 2009 Japanese action film written and directed by Kazuaki Kiriya.It is loosely based on the story of Ishikawa Goemon, a legendary outlaw hero who stole valuables from the rich and gave them to the poor.
86 - Kiriya Nouzen [16] Amaim Warrior at the Borderline - Gashin Tezuka; Build Divide -#00000 (Code Black)-- Teruhito Kurabe [17] Bungo Stray Dogs Wan! - Atsushi Nakajima [18] Cestvs: The Roman Fighter - Nero [19] I'm Standing on a Million Lives 2nd Season - Yūsuke Yotsuya; My Hero Academia 5 - Amajiki Tamaki; Re-Main - Minato Kiyomizu [20] 2022
Billy P. Kametz (/ ˌ k ə ˈ m ɛ t s /; [2] March 22, 1987 – June 9, 2022) was an American voice and stage actor. He was known for his work dubbing anime and video games. Kametz began his voice acting career in 2016.
Zeno Anthony Robinson (born October 25, 1993) is an American voice actor. His most notable roles include Cyborg/Victor Stone in Young Justice, Hawks in My Hero Academia (for which he won Best VA Performance (EN) at the 2021 Anime Awards), Goh in the Pokémon Animated Series, Sethos in Genshin Impact and Hunter/Golden Guard in The Owl House.
Erik Scott Kimerer (born July 6, 1988) [2] is an American voice actor and professional wrestler under the name 'Sassy Assassin' in Brian Kendrick's Wrestling Pro Wrestling. . As a voice actor, he has provided voices for the English dubs of Japanese anime and video gam
According to Kiriya, in an interview with Joblo, it took two months to shoot the film and a further six months of post-production work. [2] The film's look was achieved through a combination of means, from CGI (supervised by Haruhiko Shono ), matte paintings to even Kiriya's heavy involvement with the cinematography.
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