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"Love Is Strong" is a song by English rock band the Rolling Stones, released as the opening track, and first single, from their 20th British and 22nd American studio album, Voodoo Lounge (1994). Issued as a single on 4 July 1994 by Virgin Records , the song preceded the release of Voodoo Lounge by a week.
Lovestrong (stylized as lovestrong.) is the debut studio album by American singer-songwriter Christina Perri.Following the release of Perri's lead single Jar of Hearts and a record deal with Atlantic Records, Lovestrong was released on June 10, 2011.
"Strong Love" is a song recorded by Australian pop singer Pat Wilson. The song as written by her husband, Ross Wilson [ 1 ] of the bands Daddy Cool and Mondo Rock . "Strong Love" was released in May 1984.
Find the best love songs of all time, including rap, country and R&B songs from the 60s, 70s, 80s, 90s, and 2000s, describing every stage of the relationship. ... He says just thinking of a strong ...
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
Bruce & Terry was an American rock music duo from Los Angeles that was active from 1963 to 1965. Consisting of Columbia Records staff producers Bruce Johnston and Terry Melcher, the pair recorded under a variety of names, and most notably with the band the Rip Chords.
These chords stand in the same relationship to one another (in the relative minor key) as do the three major chords, so that they may be viewed as the first (i), fourth (iv) and fifth (v) degrees of the relative minor key. For example, the relative minor of C major is A minor, and in the key of A minor, the i, iv and v chords are A minor, D ...
A block chord is a chord or voicing built directly below the melody either on the strong beats or to create a four-part harmonized melody line in "locked-hands" [1] rhythmic unison with the melody, as opposed to broken chords. This latter style, known as shearing voicing, was popularized by George Shearing, but originated with Phil Moore. [1]
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