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The poem "Li Sao" is in the Chuci collection and is traditionally attributed to Qu Yuan [a] of the Kingdom of Chu, who died about 278 BCE.. Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the Shijing and the other early poems which exist as preserved in the form of incidental ...
Alphabet song; Shiva Sutra, Sanskrit poem with similar function; Hanacaraka, the traditional arrangement of the letters of the Javanese alphabet; The quick brown fox jumps over the lazy dog, commonly used English phrase with every letter in the Latin alphabet; Thousand Character Classic, Chinese poem with similar function, especially used in Korea
During the Warring States period, in the Chu Ci • Li Sao (Songs of Chu • Encountering Sorrow), it is recorded: [16] I command the god of clouds, Fenglong, to ride the colorful clouds, Seeking the whereabouts of Consort Mi. I take off my jade pendant, intending to make a vow. I send Jianxiu, a minister of Fuxi, to act as a matchmaker.
Wen Yiduo—a socialist poet and scholar later executed by the Chinese Nationalist Party—wrote in his Mythology & Poetry that, "although Qu Yuan did not write about the life of the people or voice their sufferings, he may truthfully be said to have acted as the leader of a people's revolution and to have struck a blow to avenge them. Qu Yuan ...
"Xiang River Goddesses" (Xiang Jun), poem number 3 of 11 in the Nine Songs section, in an annotated version of Chu Ci, published under title Li Sao, attributed to Qu Yuan and illustrated by Xiao Yuncong. Jiu Ge, or Nine Songs, (Chinese: 九歌; pinyin: Jiǔ Gē; lit. 'Nine Songs') is an ancient set of poems.
One of the two major ancient Chinese poetry collections was the Chu ci, also known as The Songs of the South or The Songs of Chu (the other being the Shijing). The seminal poem of the collection is the "Li Sao", generally agreed to be by Qu Yuan. Liu An wrote an introduction to the "Li Sao" as well as the first
The Li Sao helped set the tone for other poems of the Chuci, which also allude to this type of mythical geography. In the "Li Sao", Qu Yuan, on a spiritual journey, which he describes as being pulled in a chariot by winged dragons, leaves the Ford of Heaven in the morning and reaches Kunlun by nightfall. On the way, in line 350 of the "Li Sao ...
The mountain is mentioned in the Classic of Mountains and Seas and is a location mentioned by Qu Yuan in his classic poem Li Sao, one of the Songs of Chu (line 355), which the poet visits during a shamanic, spiritual journey. Li Bo and other poets also make allusions or references to Buzhou.