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The bağlama or saz is a family of plucked string instruments and long-necked lutes used in Ottoman classical music, Turkish folk music, Turkish Arabesque music, Azerbaijani music, Bosnian music (), Kurdish music, and Armenian music.
The cura (Turkish pronunciation:) is a plucked string folk instrument from Turkey. [1] It is the smallest and highest pitched member of the bağlama family of instruments. [ 2 ] It is found in nearly every region of the country with varying exact dimensions, tunings, playing techniques, and names including dede sazı, parmak cura, üç telli ...
Cümbüş Music is still an active company in Istanbul and manufactures a wide range of traditional Turkish instruments. [7] The instruments are hand made in the family's workshop in Istanbul, by three members of the Cümbüş family, Naci Abidin Cümbüş and his two sons Fethi and Alizeynel.
Bouzouki, Baglamas, Saz The tzouras ( Greek : τζουράς ), is a Greek stringed musical instrument related to the bouzouki . Its name comes from the Turkish cura .
Turkish music theorist Ozan Yarman has proposed, for example, an academical 79-tone temperament for the expression within tolerable error-margins of Maqamat / Makamlar / Dastgaha at all pitch levels, that was implemented by the renowned late luthier Ejder Güleç (1939–2014) [12] on a Turkish kanun. [13]
The Kemençe of the Black Sea (Turkish: Karadeniz kemençesi), also known as Pontic kemenche or Pontic lyra (Greek: Ποντιακή λύρα), is a box-shaped lute (321.322 in the Hornbostel-Sachs system), while the classical kemençe (Turkish: Klasik kemençe or Armudî kemençe, Greek: Πολίτικη Λύρα) is a bowl-shaped lute (321.321).
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