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The female gaze is a feminist theory term referring to the gaze of the female spectator, character or director of an artistic work, but more than the gender it is an issue of representing women as subjects having agency. As such, people of any gender can create films with a female gaze.
The matrixial gaze offers the female the position of a subject, not of an object, of the gaze, while deconstructing the structure of the subject itself, and offers border-time, border-space and a possibility for compassion and witnessing. Ettinger's notions articulate the links between aesthetics, ethics and trauma. [18]
The analysis evaluates media on criteria that include the basic representation of women, female agency, power and authority, the male gaze, and issues of gender and sexuality. Johanson's 2015 study, funded by a Kickstarter campaign, compiled statistics for every film released in 2015, and all those nominated for Oscars in 2014 or 2015.
From Miranda July’s ‘All Fours’ to Amazon’s ‘The Idea of You’ to Netflix’s ‘Bridgerton,’ stories of older women’s pleasure are coming at us hot and fast this summer, writes ...
Natalie Portman may be an outspoken feminist and co-founder of a female-driven soccer club (Angel City FC), but she isn’t a believer in the so-called “female gaze.” In an interview with ...
She has contributed heavily to discourse with cinema regarding the female gaze. [32] Sciamma uses her platform to speak about the restrictions of the male gaze and present movies that elevate the female gaze. [38] She sees her work, particularly Portrait of a Lady on Fire, as a manifesto of the female gaze.
The Matrixial Gaze is a 1995 book by artist, psychoanalyst, clinical psychologist, writer and painter Bracha L. Ettinger. [1] It is a work of feminist film theory that examines the gaze as described by Jacques Lacan , criticises it, and offers an original theory concerning feminine and female gaze .
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