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The Yamaha M7CL is a digital mixer that was introduced by Yamaha Pro Audio in 2005. [1] Two models with onboard analog input exist: the M7CL-32 and M7CL-48. These models have 40 (32 microphone and 4 stereo line)- and 56 (48 microphone and 4 stereo line)-input channels respectively, counting mono channels.
The PM5000 was a hybrid analog mixer with a digital control system which provided scene recall. [5] In 1999, Yamaha debuted a first of its kind, all digital large format console, The PM1D system. With scalable I/O configuration the total channel count could be brought up to 320 mic inputs.
PSR-OR700 (2007, Oriental version of Yamaha PSR-S700) PSR-A2000 (2012, Oriental model and black version of Yamaha PSR S710. And the first A series whose Pitch Band and Modulation uses a Joystick) PSR-A3000 (2016, Oriental version based on Yamaha PSR-S770 and first A Series to have multiple colours in the board)
Yamaha M7CL in place for a live production. In professional audio, a digital mixing console (DMC) is a type of mixing console used to combine, route, and change the dynamics, equalization and other properties of multiple audio input signals, using digital signal processing rather than analog circuitry.
Yamaha sold more than 1000 PM5D mixers by July 2005, [6] and other manufacturers are seeing increasing sales of their digital products. Digital mixers are more versatile than analog ones and offer many new features, such as reconfiguration of all signal routing at the touch of a button.
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The digital Yamaha M7CL mixing console is another such product; it has a 19×8 matrix section summing 16 mixes as well as the main left/right/mono outputs (see screenshot). In the classic analog monitor mixer without faders, the console is set up as a large matrix mixer with the addition of equalization filters and other controls for each input ...
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