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Vivaha Bandham (transl. Marriage Relation) is a 1964 Indian Telugu-language drama film, produced and directed by P. S. Ramakrishna Rao of Bharani Pictures.The film stars N. T. Rama Rao, Bhanumathi Ramakrishna with music composed by M. B. Sreenivasan, while Bhanumathi has taken care of supervision.
Hindu texts such as the Skanda Purana, Padma Purana, as well as the Shiva Purana feature Tulasi in the tale of the asuras, Vrinda and her husband Jalandhara.Vrinda is described as a pious devotee of Vishnu who marries Jalandhara.
Vishnu appeared in the form of Shankacuda to Tulasi, and the two sported, and ceased when Tulasi realised that he was an imposter. When she jumped to curse him, Vishnu appeared as his true form and spoke to her, after which Tulasi joined him to depart to Vaikuntha: [5] You have been doing penance for a long time to get me as your husband.
The seven Angasparsha mantras involve touching water with the right hand middle two fingers apply the water to various limbs first to the right side and then the left side as follows: Mouth, Nostrils, Eyes, Ears, Arms, Thighs, Sprinkling water all over the body. Vivah samskara is a marriage not only between two bodies but also between two souls.
In particular, "curse" may refer to such a wish or pronouncement made effective by a supernatural or spiritual power, such as a god or gods, a spirit, or a natural force, or else as a kind of spell by magic (usually black magic) or witchcraft; in the latter sense, a curse can also be called a hex or a jinx.
It is interpreted most often as meaning peace and reverence toward all sentient beings. Ahimsa is the core of Hinduism, Jainism, and Buddhism. Its first mention in Indian philosophy is found in the Hindu scriptures called the Upanishads, the oldest dating about 800 BC. Those who practice Ahimsa are often vegetarians or vegans. Akashic Records
In such a conception, vivaha, which originally meant the wedding ceremony, but has to acquire the definition of marriage as a whole, is meant for procreation, and the establishment of a family (kutumba). After one's wedding, one is believed to have entered the second stage of life, the grihastha ashrama, performing the duties of a householder. [4]
Abhinavagupta; Adi Shankara; Akka Mahadevi; Allama Prabhu; Alvars; Basava; Chaitanya; Ramdas Kathiababa; Chakradhara; Chāngadeva; Dadu Dayal; Eknath; Gangesha Upadhyaya