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The poem "Li Sao" is in the Chuci collection and is traditionally attributed to Qu Yuan [a] of the Kingdom of Chu, who died about 278 BCE.. Qu Yuan manifests himself in a poetic character, in the tradition of Classical Chinese poetry, contrasting with the anonymous poetic voices encountered in the Shijing and the other early poems which exist as preserved in the form of incidental ...
The poetic style of the Heavenly Question is markedly different from the other sections of the Chuci collection, with the exception of the "Nine Songs" ("Jiuge"). The poetic form of the Heavenly Questions is the four-character line, more similar to the Shijing than to the predominantly variable lines generally typical of the Chuci pieces, the vocabulary also differs from most of the rest of ...
The Chu Ci, variously translated as Verses of Chu, Songs of Chu, or Elegies of Chu, is an ancient anthology of Chinese poetry including works traditionally attributed mainly to Qu Yuan and Song Yu from the Warring States period, as well as a large number of works composed during the Han dynasty several centuries later.
According to David Hawkes, "Sao-style poem" is an evolution from the "Song-style poem," and this new style is designed for the recitation of long narrative poems. [25] Hawkes uses the carrier-sound "hsi," the unstressed particle "tee," and the mark of a content character "tum" to demonstrate the sentence structures of "Sao-style poem" and "Song ...
He is considered to have initiated the so-called sao style of verse, which is named after his work Li Sao, in which he abandoned the classic four-character verses used in poems of Shi Jing and adopted verses with varying lengths. This resulted in poems with more rhythm and latitude in expression.
"Xiang River Goddesses" (Xiang Jun), poem number 3 of 11 in the Nine Songs section, in an annotated version of Chu Ci, published under title Li Sao, attributed to Qu Yuan and illustrated by Xiao Yuncong. Jiu Ge, or Nine Songs, (Chinese: 九歌; pinyin: Jiǔ Gē; lit. 'Nine Songs') is an ancient set of poems.
Chinese shamanic spirit journeys are a key literary device in both Zhengao poems and earlier Chuci (Songs of Chu) poems such as Li Sao (Encountering Sorrow), Yuan You (Far-off Journey), Jiu Ge (Nine Songs), and Jiu Bian (Nine Changes). Chinese wu shamans were spirit mediums who practiced divination, prayer, sacrifice, and rainmaking. Many of ...
The characters used to write omoro, for example (おもろ), would be written this same way, but pronounced as umuru in Okinawan. The poetry contained in the volumes extends from the 12th century, or possibly earlier, to some composed by the Queen of Shō Nei (1589-1619). Though formally composed and recorded at these times, most if not all are ...