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Leenhoff initially had been employed by Manet's father, Auguste, to teach Manet and his younger brother piano. She also may have been Auguste's mistress. In 1852, Leenhoff gave birth, out of wedlock, to a son, Leon Koella Leenhoff. Manet painted his wife in The Reading, among other paintings. Her son, Leon Leenhoff, whose father may have been ...
Spanish Cavaliers (1859) by Édouard Manet. Spanish Cavaliers (Cavaliers espagnols) is an 1859 oil-on-canvas painting by Édouard Manet, now in the Musée des beaux-arts de Lyon. As in his Scene in a Spanish Studio, [1] the work reuses elements from Manet's copy of a painting attributed at that time to Diego Velázquez, Little Cavaliers.
Luncheon in the Studio (or The Luncheon) is an 1868 oil painting by Édouard Manet.Partially a portrait of 16-year-old Léon Leenhoff — the son of Suzanne Leenhoff before her 1863 marriage to Manet, and possibly the son of Manet or Manet's father Auguste — it is also an enigmatic work that has received limited attention within Manet's oeuvre. [1]
Suzanne Manet (UK: / ˈ m æ n eɪ /, US: / m æ ˈ n eɪ, m ə ˈ-/; née Leenhoff; 30 October 1829 – 8 March 1906) was a Dutch-born pianist and the wife of the painter Édouard Manet, for whom she frequently modeled.
Departure of the Folkestone Steamer (1869) by Édouard Manet. Departure of the Folkestone Steamer or The Folkestone Boat, Boulogne (French - Le Départ du vapeur de Folkestone) is an 1869 oil-on-canvas painting by Édouard Manet, produced during one of his regular summer stays at Boulogne-sur-Mer.
The Execution of Emperor Maximilian (1868–69), oil on canvas, 252 × 305 cm. Kunsthalle Mannheim The Execution of Emperor Maximilian (1867–1868), oil on canvas. National Gallery, London The Execution of Emperor Maximilian (1867), oil on canvas, 195.9 × 259.7 cm. Museum of Fine Arts, Boston The Execution of Emperor Maximilian (1867), oil on canvas, 48 × 58 cm. Ny Carlsberg Glyptotek ...
Madame Manet in the Conservatory: 1879: 81.5 × 100 cm: National Gallery of Norway (Oslo) Chez le père Lathuille: 1879: 93 × 112 cm: Musée des Beaux-Arts Tournai: Portrait of Marguerite Gauthier-Lathuille: 1879: 81 × 50 cm: Museum of Fine Arts of Lyon: The Café-Concert: 1879: 47.3 × 39.1 cm: Walters Art Museum (Baltimore, Maryland) Corner ...
Manet was very ill at the time. From his letters of the period, he suffered from depression and a sense of hopelessness, and indeed he would die less than a year after these paintings were completed. However, despite his infirmity, Manet remained productive and in the same letters complained that inclement weather limited his painting activity.