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When different coloured glazes are applied to a ceramic surface, the glazes have a tendency to run together during the firing process. In the cuerda seca technique, the water-soluble glazes are separated on the surface by thin lines of a greasy substance to prevent them running out of their delineated areas.
While salt-glazing is the typical glaze technique seen on American Stoneware, other glaze methods were employed. Vessels were often dipped in Albany Slip, a mixture made from a clay peculiar to the Upper Hudson Region of New York, and fired, producing a dark brown glaze. Albany Slip was also sometimes used as a glaze to coat the inside surface ...
Pages in category "Ceramic glazes" The following 21 pages are in this category, out of 21 total. This list may not reflect recent changes. A. Ash glaze; C. Celadon;
By the 1800s Lambeth in London had become a centre for the production of salt glaze stoneware, and most especially after the establishment of Doulton and Watts Pottery, which later became Royal Doulton. The company was founded in 1815 when John Doulton formed a partnership with the owner, Martha Jones and foreman, John Watts, of an existing ...
Talavera pottery of Puebla, Mexico is a type of majolica ceramic, which is distinguished by a milky-white glaze. [62] Authentic Talavera pottery only comes from the city of Puebla and the nearby communities of Atlixco, Cholula, and Tecali, because of the quality of the natural clay found there and a tradition of production that dates to the ...
One of the last glaze lines of Rookwood was "Ombroso," not used until after 1910. Ombroso, used on cut or incised pottery, is a brown or black matte glaze. In 1902, Rookwood began producing architectural pottery. Under the direction of William Watts Taylor, this division rapidly gained national and international acclaim. [13]
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