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The artivist (artist + activist) uses their artistic talents to fight and struggle against injustice and oppression—by any medium necessary. The artivist merges commitment to freedom and justice with the pen, the lens, the brush, the voice, the body, and the imagination. The artivist knows that to make an observation is to have an obligation.
Social justice art, and arts for social justice, encompasses a wide range of visual and performing art that aim to raise critical consciousness, build community, and motivate individuals to promote social change. [1] Art has been used as a means to record history, shape culture, cultivate imagination, and harness individual and social ...
Young's conception of oppression does not involve an "active oppressor". This means that oppression can occur without people actively oppressing others. [14] Specifically, Young argues that. oppression is the inhibition of a group through a vast network of everyday practices, attitudes, assumptions, behaviors, and institutional rules.
Let the Oppressed Go Free is a sculpture of the Afro-Italian nun and saint Josephine Bakhita created by Timothy ... The piece is made of bronze and is 6 meters long ...
Siqueiros completely ignored the institutional project request in pursuit of his own unique artistic idea by creating a mural, which turned out to be one of the most controversial art pieces in Los Angeles history, Tropical America (full name: América Tropical: Oprimida y Destrozada por los Imperialismos, or Tropical America: Oppressed and ...
They argue that mutual exchange happens on an "even playing field", whereas appropriation involves pieces of an oppressed culture being taken out of context by a people who have historically oppressed those they are taking from and who lack the cultural context to properly understand, respect, or utilise these elements.
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Post-blackness as a term was coined by Thelma Golden, director of Studio Museum in Harlem, and conceptual artist Glenn Ligon to describe, as Touré writes, “the liberating value in tossing off the immense burden of race-wide representation, the idea that everything they do must speak to or for or about the entire race.” [1] In the catalogue for "Freestyle", a show curated by Golden at the ...