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The political (rather than analytic or conceptual) critique of binary oppositions is an important part of third wave feminism, post-colonialism, post-anarchism, and critical race theory, which argue that the perceived binary dichotomy between man/woman, civilized/uncivilised, and white/black have perpetuated and legitimized societal power structures favoring a specific majority.
There is no encryption algorithm present in the Agrippa binary; consequently, the visual encryption effect that displays when the poem has finished is a ruse. The visual effect is the result of running the decrypted ciphertext (in memory) through the re-purposed bit-scrambling decryption algorithm, and then abandoning the text in memory.
Structuralism posits the concept of binary opposition, in which frequently-used pairs of opposite-but-related words (concepts) are often arranged in a hierarchy; for example: Enlightenment/Romantic, male/female, speech/writing, rational/emotional, signified/signifier, symbolic/imaginary, and east/west.
Michael Field – Works and Days (love diary); Poems of Adoration; Michelle Tea – Rent Girl; Rose of No Man's Land; Passionate Mistake and Intricate Corruption of One Girl in America; Monique Wittig – Women Warriors (a novel) Natalie Clifford Barney – Other Alliances; Indiscreet Souvenirs; Nella Nobili – Les femmes et l'amour homosexuel
Fixed verse poems, such as sestinas, can be defined by the number and form of their stanzas. The stanza has also been known by terms such as batch, fit, and stave. [2] The term stanza has a similar meaning to strophe, though strophe sometimes refers to an irregular set of lines, as opposed to regular, rhymed stanzas. [3]
The Theogony (Ancient Greek: Θεογονία, Theogonía, [2] i.e. "the genealogy or birth of the gods" [3]) is a poem by Hesiod (8th–7th century BC) describing the origins and genealogies of the Greek gods, composed c. 730–700 BC. [4] It is written in the Epic dialect of Ancient Greek and contains 1022 lines.
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