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The influences of ancient Greek basin and the Greek Christian chants in the Byzantine music as origin, are confirmed. Music of Turkey was influenced by Byzantine music, too (mainly in the years 1640–1712). [97] Ottoman music is a synthesis, carrying the culture of Greek and Armenian Christian chant. It emerged as the result of a sharing ...
Orthodox Tewahedo music refers to sacred music of the Ethiopian and Eritrean Orthodox Tewahedo Church. The music was long associated with Zema (chant), developed by the six century composer Yared . It is essential part of liturgical service in the Church and classified into fourteen anaphoras, with the normal use being the Twelve Apostles .
A canon (Greek: κανών, romanized: kanōn) is a structured hymn used in a number of Eastern Orthodox services. It consists of nine odes, based on the Biblical canticles. Most of these are found in the Old Testament, but the final ode is taken from the Magnificat and Song of Zechariah from the New Testament. [a]
Eventually, during the Polish Renaissance, the Kievan Orthodox Church fully adopted the polyphonic styles popular at the time. They retained the Znamenny chant, 8 echoi (glassy, melodically based Orthodox modes based upon the Byzantine idea), and scale, but adopted the descant style of their Catholic counterparts.
Secular teaching argued that St. Yared is the base and father of secular music. The outlook of "secular music" is strongly objected to by the Orthodox Church. Other challenges are spiritual songs in audio and audiovisual form are possible without an original hymn.
A hand-drawn lubok featuring 'hook and banner notation'. The stolp notation was developed in Kievan Rus' as an East Slavic refinement of the Byzantine neumatic musical notation. . After 13th century, the Znamenny Chant and stolp notation continued to develop to the North (particularly in Novgorod), where it flourished and was adopted throughout the Grand Duchy of Mosc
"The Transmission of Coptic Orthodox Liturgical Music: Historical and Contemporary Forms of Theorization, Translation, and Identity Construction" A PhD dissertation exploring the history and current practice and theory of Coptic music. "Coptic youth blog" Contains digital music and videos of Coptic liturgies, hymns, songs, and Coptic hymn lessons.
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