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During the Kojiki and Nihonshoki periods the tanka retained a well defined form, but the history of the mutations of the tanka itself forms an important chapter in haiku history, [7] until the modern revival of tanka began with several poets who began to publish literary magazines, gathering their friends and disciples as contributors.
Haiku (俳句, listen ⓘ) is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern; [1] that include a kireji, or "cutting word"; [2] and a kigo, or seasonal reference.
Shiki is regarded as a major figure in the development of modern haiku poetry, [3] credited with writing nearly 20,000 stanzas during his short life. [4] He also wrote on reform of tanka poetry. [5] Some consider Shiki to be one of the four great haiku masters, the others being Matsuo Bashō, Yosa Buson, and Kobayashi Issa. [6] [7]
Renga, collaborative poetry genre, the hokku (later haiku) was the opening verse; Renku, collaborative poetry genre, genre developed from renga; Shigin, oral recitation (chanting) of poetry in Japanese or Chinese, with our without audience; Tanka, traditional short poetic form, related to waka; Waka, traditional short poetic form, related to tanka
The position of Bashō in Western eyes as the haiku poet par excellence gives great influence to his poetry: Western preference for haiku over more traditional forms such as tanka or renga have rendered archetypal status to Bashō as Japanese poet and haiku as Japanese poetry. [46] Some western scholars even believe that Bashō invented haiku. [47]
Ryokan: Selected Tanka and Haiku, translated from the Japanese by Sanford Goldstein, Shigeo Mizoguchi and Fujisato Kitajima (Kokodo, 2000) Dewdrops on a Lotus Leaf: Zen Poems of Ryōkan, translated and edited by John Stevens, Shambhala Publications, 2012.
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In the United Kingdom, the first known English-language anthology was the Starving sparrow temple anthology: haiku, tanka, linked verse and other pieces edited by William E. Watt, 1971, but this publication was not exclusively tanka. By 1969, tanka started appearing in anthologies of student work published by public schools in the United States.