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Samuel Adelstein described the Lombard mandolin in 1893 as wider and shorter than the Neapolitan mandolin, with a shallower back and a shorter and wider neck, with six single strings to the regular mandolin's set of 4. [35] The Lombard was tuned C–D–A–E–B–G. [35] The strings were fastened to the bridge like a guitar's. [35]
Mandolin awareness in the United States blossomed in the 1880s, as the instrument became part of a fad that continued into the mid-1920s. [14] [15] According to Clarence L. Partee a publisher in the BMG movement (banjo, mandolin and guitar), the first mandolin made in the United States was made in 1883 or 1884 by Joseph Bohmann, who was an established maker of violins in Chicago. [16]
The F-5 is a mandolin made by Gibson beginning in 1922. Some of them are referred to as Fern because the headstock is inlaid with a fern pattern. The F-5 became the most popular and most imitated American mandolin, [1] and the best-known F-5 was owned by Bill Monroe, the father of bluegrass music, who in turn helped identify the F-5 as the ultimate bluegrass mandolin.
A mandolin made in Topeka in 1912 by highly regarded inventor Albert Shutt is back in the capital city and is being restored.
John D'Angelico was born in 1905 in New York to an Italian-American family, and was apprenticed in 1914 to his great-uncle, Raphael Ciani, who made violins, mandolins, and flat top guitars. [ 1 ] [ 2 ] [ 3 ] This apprenticeship would become the basis for construction principles he later incorporated into his archtop guitars. [ 4 ]
Patt first experimented with a wide-neck Mango guitar from the 1920s, which he modified to have seven strings in 1963. [22] Later, he purchased six-string archtop hollow-body guitars that were then modified by luthiers to have wider necks, wider pickups, and eight strings. Patt's Gibson ES-150 was modified by Vincent "Jimmy" DiSerio cerca 1965 ...
Not limited to mandolins, the Vinaccias made stringed instruments, including violins, cellos, guitars, mandolas and mandolins. Noted members of the family who made mandolins are known today from labels inside of surviving instruments and include Vincenzo, Giovanni, Domenico, and Antonio (and his sons Gaetano and Gennaro, grandson Pasquale and ...
Like the earlier gittern, the mandore's back and neck were in earlier forms carved out of a block of wood. [17] This "hollowed out construction" did still exist in the 16th century, according to James Tyler, but was becoming rare. [17] The method was being replaced by gluing curved staves together to form back, and adding a neck and peg box. [17]
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