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Two women wearing the robe à la polonaise, literally meaning the Polish dress Jean-Michel Moreau, Le Rendez-vous pour Marly, engraved by Carl Guttenberg c. 1777.. The robe à la polonaise or polonaise, literally meaning the Polish dress, is a woman's garment of the 18th century 1770s and 1780s or a similar revival style of the 1870s inspired by Polish national dress style, costume, [1 ...
1837 dress. During the start of Queen Victoria's reign in 1837, the ideal shape of the Victorian woman was a long slim torso emphasised by wide hips. To achieve a low and slim waist, corsets were tightly laced and extended over the abdomen and down towards the hips. [4]
Two young ladies wear mob caps over high hair, 1778; The Ladies Waldegrave wear transitional styles, 1780–81, in their portrait by Reynolds. Their hair is powdered and dressed high, but their white caracos, like shorter dresses à la polonaise, have long tight sleeves. Marie Antoinette in chemise dress, 1783. She wears a sheer, striped sash ...
The women's sack-back gowns and the men's coats over long waistcoats are characteristic of this period. Fashion in the years 1750–1775 in European countries and the colonial Americas was characterised by greater abundance, elaboration and intricacy in clothing designs, loved by the Rococo artistic trends of the period. The French and English ...
This style would remain popular into the next decade. German, c. 1845. Young lady of Holland wears a lace collar and ruffled chemise or chemisette with her dark dress. Fashion plate of a riding habit c. 1847 features a cutaway jacket over a contrasting waistcoat and shirt with a stiff turned-down collar. The lady wears a dashing plumed hat.
Fashion in the period 1700–1750 in European and European-influenced countries is characterized by a widening silhouette for both men and women following the tall, narrow look of the 1680s and 90s. This era is defined as late Baroque/Rococo style. The new fashion trends introduced during this era had a greater impact on society, affecting not ...
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