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Other techniques include pouring the glaze over the piece, spraying it onto the piece with an airbrush or similar tool, or applying it directly with a tool such as a brush. Though mostly obsolete, salt glaze pottery is another form of glazing. Dry-dusting a mixture over the surface of the clay body or inserting salt or soda into the kiln at ...
Tin-glazing is the process of giving tin-glazed pottery items a ceramic glaze that is white, glossy and opaque, which is normally applied to red or buff earthenware. Tin-glaze is plain lead glaze with a small amount of tin oxide added. [1] The opacity and whiteness of tin glaze encourage its frequent decoration.
Ash glaze was the first glaze used in East Asia, and contained only ash, clay, and water. [2] [3] One of the ceramic fluxes in ash glazes is calcium oxide (CaO), commonly known as quicklime, and most ash glazes are part of the lime glaze family, not all of which use ash.
Maiolica charger from Faenza, after which faience is named, c. 1555; diameter 43 cm, tin-glazed earthenware Tin-glazed (majolica/maiolica) plate from Faenza, Italy. Tin-glazed pottery is earthenware covered in lead glaze with added tin oxide [1] which is white, shiny and opaque (see tin-glazing for the chemistry); usually this provides a background for brightly painted decoration.
German Bartmann jug, c. 1600 Salt glazed containers. Salt-glaze or salt glaze pottery is pottery, usually stoneware, with a ceramic glaze of glossy, translucent and slightly orange-peel-like texture which was formed by throwing common salt into the kiln during the higher temperature part of the firing process.
Ceramic fixtures are being more commonly glazed with 2 part epoxy compounds. The first component is a clear or opaque resin combined with a catalyst or hardener. The proper procedure requires that the nonporous fixture be sand blasted to create a rough surface for the epoxy primer to adhere to. Once the primer has dried the topcoat is applied.
Underglaze is a method of decorating pottery in which painted decoration is applied to the surface before it is covered with a transparent ceramic glaze and fired in a kiln. Because the glaze subsequently covers it, such decoration is completely durable, and it also allows the production of pottery with a surface that has a uniform sheen.
In-glaze or inglaze is a method of decorating pottery, where the materials used allow painted decoration to be applied on the surface of the glaze before the glost firing so that it fuses into the glaze in the course of firing. [1] [2] It contrasts with the other main methods of adding painted colours to pottery.
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