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Revelation 22 is the twenty-second and final chapter of the Book of Revelation or the Apocalypse of John, and the final chapter of the New Testament and of the Christian Bible. The book is traditionally attributed to John of Patmos .
The surviving Greek translation was a literal translation that aimed to comply with the warning at Revelation 22:18 that the text must not be "corrupted" in any way. Christina Rossetti was a Victorian poet who believed the sensual excitement of the natural world found its meaningful purpose in death and in God. [113]
In the New Testament, the Greek word for angels (άγγελος) is not only used for heavenly angels, but also used for human messengers, such as John the Baptist (Matthew 11:10, Mark 1:2, Luke 7:27) and God's prophets (Revelation 22:8–9) [20] C.I. Scofield has noted that "The natural explanation of the 'messengers' is that they were men ...
Revelation 4 refers to elders who worship the Lord and "lay their crowns" before Him (Revelation 4:10). "Alpha and Omega" refers to God himself (Rev. 1:8, 11; 21:6, 22:13), but also to the cries of the newborn and the dying. "Whoever is unjust… etc" is a quote from Revelation 22:11.
Textual variants in the Book of Revelation are the subject of the study called textual criticism of the New Testament. Textual variants in manuscripts arise when a copyist makes deliberate or inadvertent alterations to a text that is being reproduced. An abbreviated list of textual variants in the Book of Revelation is given in this article below.
Revelation 17–18 introduces a Woman dressed in purple and scarlet, and decked with gold, precious stones and pearls. She sits on a scarlet beast with 7 heads (representing 7 mountains and 7 kings)(Revelation 17:9–10) and 10 horns (representing 10 kings who have not received a kingdom, while still having king-like authority).
The period involved is from 4000 B. C. to 3000 B. C. "It extends from after the fall of Adam, which according to the Ussher chronology was 4004 B.C., to shortly after the translation of Enoch and his city in 3017 B.C." [22] The white horse is an emblem of victory. The bow is an emblem of war, and the crown is the emblem of a conqueror.
Revelation's historical context may also influence the depiction of the black horse and its rider, Famine. In AD 92, the Roman emperor Domitian attempted to curb excessive growth of grapevines and encourage grain cultivation instead, but there was a major popular backlash against this effort, and it was abandoned. Famine's mission to make wheat ...
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