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Foucault sees power as the means for constituting individuals’ identities and determining the limits of their autonomy. This reflects the symbiotic relationship between power (pouvoir) and knowledge (savoir). In his study of prisons and hospitals, he observed how the modern individual becomes both an object and subject of knowledge.
Paul-Michel Foucault was born on 15 October 1926 in the city of Poitiers, west-central France, ... ('Rattenfaenger') of Postmodernism". ...
Michel Foucault is often cited as an early postmodernist although he personally rejected that label. Following Nietzsche, Foucault argued that knowledge is produced through the operations of power, and changes fundamentally in different historical periods. [citation needed]
Postmodernism is a term used to refer to a variety of artistic, ... In the 1980s, some critics began to take an interest in the work of Michel Foucault.
Michel Foucault argued that it is intolerable to assume that a minor is incapable of giving meaningful consent to sexual relations. [3] Foucault also believed consent, as a concept, was a "contractual notion", and that it was not a sufficient measure of whether harm was being conducted. [2]
The element of "play" in the title of Derrida's essay is often erroneously interpreted in a linguistic sense, based on a general tendency towards puns and humour, while social constructionism as developed in the later work of Michel Foucault is said to create play in the sense of strategic agency by laying bare the levers of historical change.
L'Ordre du discours (The Order of Discourse) is Michel Foucault's inaugural lecture at the Collège de France, delivered on December 2, 1970. Foucault presents the hypothesis that in any society the production of discourse is controlled, in order to eliminate powers and dangers and contain random events in this production. [9]
[citation needed] This view derives primarily from Michel Foucault. In its tendency to see society as consisting of texts relating to other texts, with no 'fixed' literary value above and beyond the way specific cultures read them in specific situations, new historicism is a form of postmodernism applied to interpretive history.
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