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Pinocchio nearly drowns trying to save his father, then washes up by a city where he meets the Blue Fairy again. On his way to school, a kid throws a book at him; he ducks and the book hits Eugenio, who loses consciousness. Pinocchio is blamed for the crime. Upon nearing the Blue Fairy's house he escapes, ending up in a grape farmer's trap.
From December 4, 2022, through January 4, 2023, the film played at the Museum of Modern Art in New York City in the Debra and Leon Black Family Film Center. [50] This coincided with a multi-floor exhibition at the MoMa called "Guillermo Del Toro: Crafting Pinocchio", which ran through April 15, 2023 and showcased various aspects of the film's ...
The Fairy with Turquoise Hair (Italian: la Fata dai Capelli Turchini), often simply referred to as the Blue Fairy (La Fata Turchina), is a fictional character in the 1883 Italian book The Adventures of Pinocchio by Carlo Collodi, [1] repeatedly appearing at critical moments in Pinocchio's wanderings to admonish the little wooden puppet to avoid bad or risky behavior.
Cynthia Erivo knows that simply trying to impersonate Aretha Franklin for her starring role as the Queen of Soul in “Genius: Aretha” just wasn’t going to cut it. “The job is to transform ...
Smaller children may be caught up by the wonder of it all, but older children may find the movie slow and old-fashioned." [6] Joe Leydon of Variety gave the film a mostly positive review, writing "The Adventures of Pinocchio is a well-crafted and gently charming version of the classic 1883 novel by Carlo Collodi. Unfortunately, this live-action ...
Evelyn Venable (October 18, 1913 – November 15, 1993) was an American actress perhaps best known for her role as Grazia in the 1934 film Death Takes a Holiday.In addition to acting in around two dozen films during the 1930s and 1940s, she was also the voice and model for the Blue Fairy in Walt Disney's Pinocchio (1940).
Co-starring Kevin Kline, Marcia Gay Harden, Natalie Portman, and her eldest son Henry, the play received favorable reviews, with The New York Times remarking, "Two decades in front of movie cameras haven't diminished her capacity for looming large from a stage. Streep has drawn a portrait of comic ruthlessness and gentle understanding."
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