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Alternating convex and concave flutes on the two nearest piers. In Byzantine architecture columns were mostly relatively small and functional rather than decorative. They were used to support galleries, ciboriums over altars and the like. Byzantine taste appreciated rare and expensive types of stone, and like to see these in round and polished ...
In music, form refers to the structure of a musical composition or performance.In his book, Worlds of Music, Jeff Todd Titon suggests that a number of organizational elements may determine the formal structure of a piece of music, such as "the arrangement of musical units of rhythm, melody, and/or harmony that show repetition or variation, the arrangement of the instruments (as in the order of ...
In their original Greek version, Doric columns stood directly on the flat pavement (the stylobate) of a temple without a base. With a height only four to eight times their diameter, the columns were the most squat of all the classical orders; their vertical shafts were fluted with 20 parallel concave grooves, each rising to a sharp edge called an arris.
The trill is frequently found in classical music for all instruments, although it is more easily executed on some than others. For example, while it is relatively easy to produce a trill on the flute, the proper execution on brass instruments requires higher skill and is produced by quickly alternating partials. While playing a trill on the ...
The rhythm typically consists of alternating the accented closed stroke with an unaccented open "ching" stroke. The name "ching" is probably onomatopoeic for this open sound. [ 2 ]
Ablaq (Arabic: أبلق; particolored; literally 'piebald' [1]) is an architectural technique involving alternating or fluctuating rows of light and dark stone. [ 2 ] [ 3 ] It is an Arabic term [ 4 ] describing a technique associated with Islamic architecture in the Arab world . [ 5 ]
This is a list of art movements in alphabetical order. These terms, helpful for curricula or anthologies , evolved over time to group artists who are often loosely related. Some of these movements were defined by the members themselves, while other terms emerged decades or centuries after the periods in question.
If the effect of a passage was dotted, the compelling rhythm of the dotted notes, or notes inégales, would sometimes simply override all the rules. The Handel Fugue in D Minor from the First Sett of Suites 1709 in its first editions shows the first few notes of the theme with dotted rhythms, but the dots stop after 4 note for the first two ...