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In dance, choreography. may also refer to the design itself, which is sometimes expressed by means of dance notation. Dance choreography is sometimes called dance composition . Aspects of dance choreography include the compositional use of organic unity , rhythmic or non-rhythmic articulation, theme and variation, and repetition.
Galliard rhythm [3]. Musical compositions in the galliard form appear to have been written and performed after the dance fell out of popular use. In musical compositions, the galliard often filled the role of an after dance written in 6, which followed and mimicked another piece (sometimes a pavane) written in 4.
Septuple meter can also be notated by using regularly alternating bars of triple and duple or quadruple meters, for example 4 4 + 3 4, or 6 8 + 6 8 + 9 8, or through the use of compound meters, in which two or three numerals take the place of the expected numerator 7, for example, 2+2+3 8, or 5+2 8. [3]
Tap was formed from other types of dancing, such as ballet, jazz and contemporary clogging. Hoofers are tap dancers who dance only with their feet, making a louder, more grounded sound. This kind of tap dancing is also called "rhythm tap". Another aspect of tap dancing is improvisation.
Baião (Brazilian Portuguese pronunciation:) is a Northeastern Brazilian music genre and dance style based on a syncopated duple meter rhythm, based around the pulse of the zabumba, a flat, double-headed bass drum played with a mallet in one hand and a stick in the other, each striking the opposite head of the drum for alternating high and low notes, frequently accompanied by an accordion and ...
The dance begins with an introductory pattern of repeated pitches with a unique accelerating rhythm, showing the dancers the exact tempo of the following dance. [2] The kujawiak is in triple meter. It has two mazur symmetrical four-measure phrases, [ 10 ] with the second part of each measure often extended and accented.
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Title page of Franz Rigler's "Three Rondos" (1790) First page of the manuscript for Mozart's Adagio and Rondo for glass harmonica, flute, oboe, viola and cello. The rondo is a musical form that contains a principal theme (sometimes called the "refrain") which alternates with one or more contrasting themes, generally called "episodes", but also occasionally referred to as "digressions" or ...