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The contrabassoon reed is similar to an average bassoon's in that scraping the reed affects both the intonation and response of the instrument. [1] Contrabassoons feature a slightly simplified version of bassoon keywork, though all open toneholes on bassoon have necessarily been replaced with keys and pads due to the physical distances.
The construction of double reeds for the oboe family of instruments is similar in principle: like the bassoon's reeds, they consist of two pieces of cane fastened together with an opening at the tip. However, because the oboe does not have a bocal, the cane must be fastened to a metal tube (the staple ), the lower half of which is normally ...
Toggle Double-reed subsection. 3.1 Capped. 4 Triple reed. 5 Quadruple reed. ... A Fox Instruments bassoon. Triple reed. Hne (Myanmar) Quadruple reed. Pi (Thailand)
Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in an uncapped double reed instrument (such as the oboe and bassoon), there is no mouthpiece; the two parts of the reed vibrate against one another.
Racketts, from Michael Praetorius' Syntagma Musicum Theatrum Instrumentorum seu Sciagraphia (1619). The rackett, raggett, cervelas, or sausage bassoon is a Renaissance-era double reed wind instrument, introduced late in the sixteenth century and already superseded by bassoons at the end of the seventeenth century.
The tenor bassoon or tenoroon is a member of the bassoon family of double reed woodwind instruments. Similar to the alto bassoon, also called octave bassoon, it is relatively rare. Similar to the alto bassoon, also called octave bassoon, it is relatively rare.
The complex fingering system and the expense and lack of access to quality bassoon reeds can make the bassoon more of a challenge to learn than some of the other woodwind instruments. [22] Cost is another factor in a person's decision to pursue the bassoon. Prices may range from US$7,000 to over $45,000 for a high-quality instrument. [23]
There was an instrument referred to by H. de Garsault in 1761 as the basse de cromorne or basse de hautbois (Finkelman 2001) which was used by Lully, Charpentier, and other French Baroque composers. This apparently was an oboe-type instrument in the bassoon range. It had, nonetheless, a distinct tonal quality of its own.
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